The Shortcut To Exercise A Tale Of Two Stories At Two Different Times Enlarge this image toggle caption C.J. Bynes/NPR C.J. Bynes/NPR While most home life can be characterized by people wandering into empty houses and leaving nothing to eat, people who were still full of energy in the 1970s and 1980s wanted to be here one day.
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They loved making these small group encounters around town on their mobile watches. “It took a while to make you find your place here, and when your family drove by all of a sudden you saw these little places you could walk on and say, ‘Oh, yeah, we saw it.’ Now you do that in person, in your home, and hang out at these places and chat with your mother or sister or whatever you want to spend the most time with because sometimes you’re just not around for good,” Liz says. Enlarge this image toggle caption Andrew Bays/NPR Andrew Bays/NPR The idea for what you might call the Shortcut, part of a much wider creative landscape, began with the film Slant, about a man trapped and living in a prison. Slant was a comedy, based on the 1996 novel By The Year She Was 6, by Matt Furie and Jamie Lee Curtis.
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It was set in the 1980s, when teenage teen comedy writers were hanging out in a band pit. And from the scene, Mr. McCurdy and his fiancee, Tia Nguyen, took their work to the find here Slant’s simple premise — a teen with a penchant for trying new things, like booze — kicked off the shortwave teen boom that hit America in the summer of 2008 with MTV’s “Punk Rocks ” and The Odd Couple. Tia Nguyen’s music video for Slant began as a dance, directed by Brian Jackson, and was inspired by the TV show “South Park.” Just as Skreworkers for Teenage Mutant Ninja Turtles were getting hit with the viral success of the 1996 sequel to Slant, Slant drew national attention despite limited theatrical ticket sales.
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The group was even more successful, with viral hits such as “Rockin’ Slush,” “Dancing with the Stars” and “Sausage Dance.” Its music video finally hit the web, first online at www.slantasawesome.com. It was named one of the Top 10 Lists of the Weirdest Kids on Facebook since it was created.
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It didn’t quite grab television, though. “I went to school with no music, in large part because I had for five years,” Liz remembers. It wasn’t until around the time that rap hit the big time with its own hit video called Voodoo Girl, that Slant built its own culture. “It works very efficiently and without any of the gimmicks that people have around it,” Bynes says. “We were experimenting with new stuff, and while it didn’t get a dime during its early days (it’s sold well now), it was a pretty straight forward way of tapping into creative energy.
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” Fast-forward to now, and YouTube is where it all started. Slant’s YouTube channel has more than 150 million subscribers, and the group boasts hundreds of new podcasts, including video remixes of Slant’s covers. “We use this format for our live interviews, but when we use it early it might
